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"Imagine a world where speakers are a thing of the past, where there are no wires and crystal clear invisible sound completely immerses you - instead of shouting at you"

Invisible Speakers from FeONIC

"A very real new technology."

Ivor Tiefenbrun, founder and MO of Linn Products

"FeONIC Technology looks set to become a serious player in the AV Installation marketplace"
Pro Sound News July 2008

"The F-Drive really does have a magical quality about it, producing a highly immersive listening experience quite unlike anything else."

Nick Ryan - Founder of The Fragmented Orchestra - winners of PRS New Music Award 2008

"Custom Installer was very impressed with the immersive and detailed quality of the sound which also had a good level of transparency"
Custom Installer June 2008
"Zavvi Digital Screens - Street television in the city centres courtesy of FeONIC Whispering Window"
David Reynolds Digital Screen Networks
"It was a great pleasure recently to have the privilege of installing FeONIC's latest sound system within my boat!... A very unique product indeed"
Chris Peeters
"Every tin can, every dustbin, every window, every car, every wine glass, every sheet of rusty metal became activated as an acoustically perfect sounding board."
Hitch Hikers Guide to the Galaxy, Douglas Adams 1979 by kind permission
"Working with FeONIC audio technology has been an exciting process, opening up great creative potential for the development of immersive sound environments"
Shona Illingworth - Artist; The Watch Man

"One worth considering"

Roland Hemming AV Interactive June 2008

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Sound Art : Installation Art : Performance Art : Invisible Speakers

FeONIC works with many Sound Art and Installation Artists who require Invisible Speakers. With FeONIC drives, surfaces become the audio source for an immersive audio experience which envelopes the listener. No grills or boxes. Wires can be hidden behind panels.

Helsinki Teater90° have prepared a video of their in development sound art installation

Shona’s, The Watch Man piece has been shown in London and Toronto and opened at the Wellcome Trust in London in December 2008.

Winners of the PRS New Music award 2008, the Fragmented Orchestra used FeONIC Invisible Speaker drives to sound everyday structures as an integral part of this ambitious composition.

Helskini Teater90

Kristian Eckholm Teater90°

Kristian Eckholm is a Sound Designer working in performing arts, based in Helsinki, Finland.

This video gives a brief demonstration of FeONIC's F4 audio drive being used in the Botanical Gardens Helsinki inside the 150 year old greenhouse.

The effect of the sound on the greenhouse glass is stunning.

FeONIC's audio drives will be used in future productions by Teater90°

Note. Please use the link on the left "Sound Art Installation" to see the video on youtube.

Fragmented Orchestra

The Fragmented Orchestra

The Fragmented Orchestra is a huge distributed musical structure modelled on the firing of the human brain’s neurons. The Fragmented Orchestra will connect 24 public sites across the UK to form a tiny networked cortex, which will adapt, evolve and trigger site-specific sounds via the FACT Gallery in Liverpool.

Each of the sites will have a soundbox installed, which will stream human-made and elemental immersive audio via an artificial neuron to one of 24 invisible speakers in the FACT Gallery. The sound will only be transmitted when the neuron fires. A firing event will cause fragments of sound to be relayed to the gallery and will also be communicated to the cortex as a whole.

The combined sound of the 24 speakers at the gallery will be continuously transmitted and played through 24 FeONIC F1.3 drives attached to existing materials and structures.

The Watch Man

The Watch Man

A major multi–media installation making use of FeONIC Invisible Speaker technology exploring trauma memory by artist Shona Illingworth will be shown as part of ‘War and Medicine’, this year’s major temporary exhibition at Wellcome Collection, Euston Road London.

"Shona Illingworth’s careful use of visuals and sound creates an emotionally charged environment that evokes both the pain of the remembered experience and the claustrophobia of feeling trapped inside a disturbed mind."

Sandra Rehme, ‘Time Out’

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